Today I was up at dawn to purchase 20 additional notebooks and Bics for the gals. OK, I'm a sucker for these gals, but you knew that. While I was out I ran into Alima and her husband, proprietors of Wematou, my shea butter friends. Next week Alima is going to come to the Maison de la Femme with four of her best hard-soap-makers. Clearly word has spread that I got in over my head with soap-making negotiations. This is especially great news since hard soap is not my specialty. It's also incredibly generous since I cannot imagine why they'd willingly share their secret of making Neiman-Marcus-quality soap.
The results of yesterday's liquid soap-making were a complete disaster. Never before has this happened to me. Bibatta, pictured here, knew it (she's seen my beautiful soap), but she was gracious enough not to mention it. Two weeks ago while working stage I was involved in a session on making liquid soap. A new technique was demonstrated . . .one of which I was theretofore happily unaware. Why oh why did I try it yesterday? I do know soap! I don't know how I do it; but I do it and I consistently do it very well. Never had any difficulty with the Club de Commerce last year . . . so I'm gonna dance with the one who brung me.
- It's one (1) kilo of salt [one! not two!]
- One kilo of Tansigex
- 15 liters of water divided into two buckets
- Whip-up the Tansigex and alternately add salt water and fresh water by the cupful. If you err, err on the side of too much salt water. That's my story and I'm stickin' to it. Period. End of discussion.
Phase II. The world map. Our map is going on a wall that's about 24-feet long. And we're working off a little 12x18-inch map of the world. You got it . . . serious enlargement required. Remember learning how to enlarge or copy an illustration using a grid? Come on . . . that was a sixth-grade art class lesson. Well here in The B.F., the concept is unbelievably foreign. And remember, some of these gals are only semi-literate and not comfortable even holding a pencil. Now imagine trying to explain this concept in a foreign language. French wasn't bad . . . I've got the vocabulary. But for the gals who only speak Kassim? Wasn't gonna happen with me teaching.
Ah, but that's where sustainability comes in. Just ask the gals who did grasp the concept to teach the others . . . and there were indeed some real artists in the group. By the time Jean arrived with the materials, these ladies had smiley-faces, cats, stars, hearts, and maps of Burkina Faso drawn in grids all over our painting wall. Tomorrow we'll bottle the good soap and begin the painting. With my fish-eye lens M.I.A., I wonder how I'm going to get any photos.
I could have spent that notebook money on a carton of cigarettes. Will I regret that decision by this time tomorrow? Was it amazingly culturally insensitive of me to begin drawing on their wall without fully explaining that we were about to cover it with a new paint job? Am I really cooking lunch for some of these women on Saturday?! We can only speculate.
















